Aguilera's videography impact was also analysed by music critics. While "Dirrty" (2002) has been described as "one of the most controversial videos in pop music history",[422][325] and one of the greatest music videos of all time,[423] Issy Beech from i-D recognized that the audiovisual work "paved a path for videos like "Anaconda" and "Wrecking Ball" [...] paved the way for open sexuality from women in pop".[424] In the video for "Beautiful" (2002), the highlight scene of a gay kiss has been considered one of the most important moments for LGBT culture,[425][426] in addition to start Aguilera's image as a gay icon.[427] Both works was elected as one of the greatest music videos of the 21st century by editors from Billboard,[428] while she was named one of the greatest women of the video era according VH1.[429] In 2012, her videographic collection and some looks used throughout her career were part of an exhibition by the National Museum of Women in the Arts aimed at illustrating "the essential roles women have played in moving rock and roll and American culture forward".[430][431] Jon Caramanica from The New York Times also commented about her contributions to television, observing an expressive number of artists signing with television networks to act as coaches of singing reality competition after her participation in the American version of The Voice franchise.[347]
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